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Double Take: Portraits Over Time, by Maggie Evans Silverstein
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These black-and-white portraits document the same children over time: They chronicle childhood, often over decades, and mark the delicate transition into adulthood. Some time after the last picture has been taken they or their parents look back with tenderness and candor about this wondrous period of time. Pulitzer-prize winning authors Madeleine Blais and Dave Barry have written essays on childhood for the book.
- Sales Rank: #2801414 in Books
- Published on: 2014-10-01
- Original language: English
- Number of items: 1
- Dimensions: 9.20" h x .60" w x 8.20" l, .0 pounds
- Binding: Hardcover
- 112 pages
Review
Maggie Evans Silverstein is an amazing photographer, an artist with the eye and patience to extract perfect, penetrating images of people from the blur of life. What makes her truly exceptional is her skill as a writer whose words add great depth and power to her wonderful photographs. --Dave Barry, Pulitzer-prize winner
By some miracle, some portion of the essence of my children was caught with such purity that even people outside the family who happen to see the photos are stunned by their rightness. --Madeleine Blais, Pulitzer-prize winner
Double Take Photo Book Paints
A Powerful Picture Of Growing Up
Photographer Maggie Evans Silverstein opened her portrait studio 20 years ago, and as the years passed, many of her clients returned to have their photos taken multiple times.
One particular client that stands out in Silverstein's memory is an 18–year–old boy who came to the studio for his senior portraits and then returned again 16 years later to take pictures with his young daughter. “I began to put these kinds of images side–by–side and stack them up,” the photographer told The Huffington Post in an email.
That's how Silverstein's photo book Double Take: Portraits Over Time came to be. The book showcases families and the way they change and grow over time through black and white portraits. The subjects are Silverstein's repeat clients—as well as her own family—including all 12 of her grandchildren.
Double Take also includes thoughts from the subjects Silverstein photographed over time. “When I closed the studio and the visual part of the project a few years ago, I went back to the growing up or grown up kids or their parents and asked them to look at their photographs and talk about childhood,” the photographer explained.
“One of the questions I would ask the parents was ‘What do you know now that you wish you had known then?’ I loved—and relate to—this answer from a wonderful father: ‘Everything,’” Silverstein said.
The photographer also drew inspiration for Double Take from Michael Apted's “Seven Up” series and Nicholas Nixon's yearly portraits of his wife and her three sisters. Maggie Evans Silverstein hopes that parents who see her portraits in Double Take will come out of it with this message: “[B]e in the moment. It's chaotic and messy and exhausting and confusing and glorious. And, it's over before you know it.” --Caroline Bologna, The Huffington Post
The ephemeral quality of childhood—of life itself, actually—doesn't begin to taunt us until we have the ability, and the courage, to look over a shoulder. Hindsight is more than 20/20. It's black–and–white, magnified and held captive by the click of a camera shutter.
Surely this is the essence of Maggie Evans Silverstein's Double Take: Portraits Over Time…a collection of 50 photo sets of children alone, children with siblings and children with parents. The Miami portrait photographer has frozen the evolution of childhood and delivered unrehearsed images of kids slipping into adult lives.
Each photo set is accompanied by a short commentary written either by the subject of the portrait, now no longer a child, or the subject's parents. Both the images and the written vignettes provide a sometimes wistful, sometimes funny, but always clear–eyed reflection of how certain moments, inside and out of Silverstein's South Miami studio, shaped . the lives of her subjects.
--Ana Veciana-Suarez, Miami Hearld
About the Author
Maggie Evans Silverstein is a portrait photographer living in Miami, Florida. Formerly an editor for Tropic, The Miami Herald’s Sunday magazine, she wrote features and essays that included her photographs, and a weekly column on art and architecture. Her photographs have appeared in national photographic magazines and been exhibited at local galleries.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Stunning Photographs, Eloquent Prose
By DWI
Maggie Silverstein’s sensibilities are shaped by enormous sympathy and insight, so that while she didn’t intend to take “beautiful” portraits, her subjects emerge as beautiful in the truth she has captured about them. This is especially true for the children-- Silverstein’s portraits are almost haunting, because they reveal something of the children’s essential selves. One keeps returning to them; first, the child, then the teenager, then back to the child. The writing, too, is excellent; I read the foreword twice because her insights resonated so much. Maggie Silverstein's honesty and straightforwardness made me rethink what portraits should be. Every parent who sees this book will regret not having photos of their children taken by her--they are such works of art.
2 of 2 people found the following review helpful.
time capsule
By claire savitt
a sweet and mindful look at our ever growing, maturing and confounding children. all pictures should be in black and white cks
1 of 1 people found the following review helpful.
funny, poignant
By M. Klein
Anyone who has known a child, raised a child, taught a child, or been a child will relate to this lovely book. The photographs are exquisite, but it is the juxtaposition of each subject at an early stage of life with what that child has become in the years to follow that makes this collection such a unique and special experience. Added to this pleasure are the quotes that accompany their photos: funny, poignant, and truthful observations made from the perspective of time.
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