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100 Painters of Tomorrow, by Kurt Beers
PDF Ebook 100 Painters of Tomorrow, by Kurt Beers
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An exciting new global survey of largely unknown talent, selected by an international jury
Painting is enjoying a remarkable creative renaissance in the twenty-first century, with many of the world’s leading artists now working in this most enduring and seductive of media. 100 Painters of Tomorrow is the culmination of a new project, initiated by curator Kurt Beers and Thames & Hudson, to find the 100 most exciting painters at work today. This major publication introduces and presents the work from a global cast of painters selected by an international panel featuring some of the most prominent names in contemporary art.
The resulting volume offers an intelligent snapshot of the best new talent in painting from across the world, gathered through an open call for submissions that drew over 4,300 applications. Open to any artist using paint as their primary medium, the submissions guidelines specified no age limit, but each of the selected artists has gained professional recognition in the last five years through their education, gallery representation, or in the production of a significant body of work. In addition, more than 100 of the world’s leading art schools were directly invited to participate, nominating recent graduates to submit their applications. The book presents high-quality images of the rising stars’ work, along with essential biographic information and quotations from the artists.
330 illustrations, 320 in color- Sales Rank: #855608 in Books
- Published on: 2014-10-14
- Original language: English
- Number of items: 1
- Dimensions: 12.70" h x 1.20" w x 9.70" l, 1.32 pounds
- Binding: Hardcover
- 288 pages
Review
“Hopeful on the future of painting.” (The Huffington Post)
“For those who think that painting is dead, and there are many, Kurt Beers...has authored a book featuring 53 men and 47 women whose work is changing the future of the medium.” (Architectural Digest)
“Ambitious.” (Art Desk Magazine)
“There’s no question that this is a diverse selection. Thirty-seven countries are represented as well as myriad styles and ideas encompassing realism, abstraction, multimedia, sculptural approaches, and more. Collectors, real or aspiring, will enjoy browsing this title; educators and students should make new discoveries.” (Library Journal)
About the Author
Kurt Beers is a curator and Director of Beers Contemporary in London. For more information on the project, visit 100paintersoftomorrow.com.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Since the Deathclock on Painting Has Been Reset...
By EisNinE
The return of art that seeks to break down locked retinal walls and loose mere anarchy upon unsuspecting minds... is a good thing. Talented, intelligent young people are staring at blank canvases and making dangerous plans. They know their art history. They know the schools, the theories, the critical philosophies. But the divide between high and low culture has been bridged in the post-modern world; after speaking eloquently and passionately about 'Las Meninas' or De Kooning's 'Excavation', they might open another chamber of their heart, and wax philosophic about Charles Burns, or Michael Deforge, or 'Little Nemo in Slumberland'... for example.
Critical predictions about the future of an artistic medium can be accurate only as self-fulfilling prophecies. Duchamp painted his masterpiece, declared painting dead, and people took him seriously. Talk about gullible. Never trust DadaDuchamp, Chump. Then came Greenberg, with near-agendas and almost-timelines, counting down the days as painters ejected everything from the canvas that attempted to transcend the canvas, and gave up their paints and brushes. And there were many talented people who got with the joyless modern art program, painting squares (but never cubes!), painting circles (but never spheres!), and never telling lies on canvas. Waiting out the clock till doomsday.
Fortunately, we don't have to accept artistic dogma about inevitabilities. Painters can tell wonderful lies in a variety of colors, and 'tricks of the eye' can make us think we're looking through a window, or into a mirror, or through a telescope, microscope, periscope, kaleidoscope, stethoscope (the last one might be a challenge)...
The artists in this volume published by good ol' 'Thames and Hudson' will likely be new to you, as most were to me. A lot of really talented painters submitted work for consideration, I know a couple of them. But deciding on the final cut of 100 must have been tough, because the artists who made it are very impressive. I don't hold all the contributors in as high esteem as the editors clearly do, but I must concede their talent and ability on most of them. Some of the work seemed uninspired or derivative to me, but it's art. Opinions will vary. Ordered alphabetically, I felt it augured well that one of the first artists featured, Dale Adcock, immediately made a fan out of me. I will be searching out his work, very soon, and I will attempt to buy it. I've given up all hope of ever owning a work by Vincent Desiderio or Ken Currie, but I might be able to afford a Dale Adcock... as long as I don't wait too long. You probably won't like every artist in '100 Painters of Tomorrow', but that's a testament to the variety included between covers. It's a nicely made volume, up to T&H standards, 9.5" x 12.75", with thick, semi-gloss, 'arctic white' stock. It's not a standard hardcover, however, done in the 'turtleback' format instead -- thick board spine and covers, but the edges are cut flush with the leaves, and left exposed; it's basically a heavy-duty softcover. For anyone who's still excited by paintings, this is highly recommended.
2 of 2 people found the following review helpful.
Five Stars
By PHILLIP ZMOOD
A fantastic look into the future of art, particularly enjoyed the work of Marc Freeman. Thank you,
1 of 1 people found the following review helpful.
Good book, but--
By Clara
Interesting selection of "emerging" painters, with good reproductions. However, the type face for the headings, including the names of the artists, is difficult to read, and the text is small and faint, so that you must strain to get the meaning.
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